JONATHAN MORSE
original digital
Home
Editions 2022-2025
Dawnings 2025
Retinas 2024
Energies 2024
Yuccas 2024
Sogetsus 2024
Circles 2024
WhoKnows 2024
Lightyears 2024
Potholes 2024
Nebulas 2023
Flames 2023
Whispers 2023
Habitats 2023
Gloves 2023
Pollinations 2023
Paws 2023
Exhales 2023
Pinwheels 2023
Magicals 2023
Sunspots 2023
Etchings 2023
Twilights 2023
Pastels 2023
Tidepools 2022
Penumbras 2022
Earthtones 2022
Auroras 2022
Winds 2022
Upwards 2022
Octopies 2022
Tendrils 2022
Thickets 2022
Oranges 2022
Bees 2022
Lumens 2022
Editions 2004-2021
Wingspans 2021
Thanksgivens 2021
Ouroboros 2021
Seasons 2021
Firecrackers 2021
Reductions 2021
Sleepwalks 2021
Moods 2021
Bursts 2021
Scapes 2021
Filigrees 2021
Harbingers 2021
Channels 2020
Potpourris 2020
Entropies 2020
Bouquets 2020
Confettis 2020
Nexts 2020
Elegies 2020
Anomalies 2020
Environs 2020
Fleurisses 2019
Contexts 2019
Frescoes 2019
Thoughts 2019
Tubes 2019
Palettes 2019
Climates 2019
Spaces 2019
Precursors 2019
Sticks 2019
Caprices 2019
Selfies 2019
Newtrees 2019
Afterthoughts 2018
Screams 2018
Stamens 2018
Technetos 2018
Ecotomes 2018
Wallflowers 2018
Hybrids 2017
Arrangements 2017
Glyphs 2017
Elons 2017
Jonquils 2017
Palmas 2017
Outbursts 2017
Artworlds 2016
Inklings 2016
Quiltings 2016
Eyes 2016
Situations 2016
Extractions 2016
Cubits 2016
Poseurs 2015
Verdes 2015
Glances 2015
Sheets 2015
Palmiers 2015
Outtakes 2015
Machinas 2015
Etudes 2015
Unicas 2015
Reflects 2014
Fabrications 2013
Filaments 2013
Facets-2013
Reacts 2013
Neuroscions 2012
Personas 2012
Sguardi 2012
Bions 2011
Passages 2011
Places 2010
Volumes 2010
Realms 2010
Dots 2010
Balls 2009
Scales 2008
Viandes 2008
Blocks 2007
Marbles 2006
Slices 2005
Distillations 2005
Fluids 2004
About
Resume
Artist's Statement
About the Prints
EXHIBIT/208-MARKSMANSHIP STATEMENT
EXHIBIT/208-QUALIA STATEMENT
Thoughts
Currents New Media
In-between Statement
FISHER PRESS GALLERY STATEMENT
Byzantine-2 statement
NEUROSCIONS INFO
More
Home
Editions 2022-2025
Dawnings 2025
Retinas 2024
Energies 2024
Yuccas 2024
Sogetsus 2024
Circles 2024
WhoKnows 2024
Lightyears 2024
Potholes 2024
Nebulas 2023
Flames 2023
Whispers 2023
Habitats 2023
Gloves 2023
Pollinations 2023
Paws 2023
Exhales 2023
Pinwheels 2023
Magicals 2023
Sunspots 2023
Etchings 2023
Twilights 2023
Pastels 2023
Tidepools 2022
Penumbras 2022
Earthtones 2022
Auroras 2022
Winds 2022
Upwards 2022
Octopies 2022
Tendrils 2022
Thickets 2022
Oranges 2022
Bees 2022
Lumens 2022
Editions 2004-2021
Wingspans 2021
Thanksgivens 2021
Ouroboros 2021
Seasons 2021
Firecrackers 2021
Reductions 2021
Sleepwalks 2021
Moods 2021
Bursts 2021
Scapes 2021
Filigrees 2021
Harbingers 2021
Channels 2020
Potpourris 2020
Entropies 2020
Bouquets 2020
Confettis 2020
Nexts 2020
Elegies 2020
Anomalies 2020
Environs 2020
Fleurisses 2019
Contexts 2019
Frescoes 2019
Thoughts 2019
Tubes 2019
Palettes 2019
Climates 2019
Spaces 2019
Precursors 2019
Sticks 2019
Caprices 2019
Selfies 2019
Newtrees 2019
Afterthoughts 2018
Screams 2018
Stamens 2018
Technetos 2018
Ecotomes 2018
Wallflowers 2018
Hybrids 2017
Arrangements 2017
Glyphs 2017
Elons 2017
Jonquils 2017
Palmas 2017
Outbursts 2017
Artworlds 2016
Inklings 2016
Quiltings 2016
Eyes 2016
Situations 2016
Extractions 2016
Cubits 2016
Poseurs 2015
Verdes 2015
Glances 2015
Sheets 2015
Palmiers 2015
Outtakes 2015
Machinas 2015
Etudes 2015
Unicas 2015
Reflects 2014
Fabrications 2013
Filaments 2013
Facets-2013
Reacts 2013
Neuroscions 2012
Personas 2012
Sguardi 2012
Bions 2011
Passages 2011
Places 2010
Volumes 2010
Realms 2010
Dots 2010
Balls 2009
Scales 2008
Viandes 2008
Blocks 2007
Marbles 2006
Slices 2005
Distillations 2005
Fluids 2004
About
Resume
Artist's Statement
About the Prints
EXHIBIT/208-MARKSMANSHIP STATEMENT
EXHIBIT/208-QUALIA STATEMENT
Thoughts
Currents New Media
In-between Statement
FISHER PRESS GALLERY STATEMENT
Byzantine-2 statement
NEUROSCIONS INFO
Screams 2018